I’m participating in Book’d Out’s Australia Day Book Giveaway Blog Hop over on my Lizzy Chandler author site. Please visit for your chance to win a copy of Snowy River Man or (for Australian residents) another book of your choice.
All posts by Lizzy/Elizabeth
Posted by Lizzy/Elizabeth on January 24, 2015
It’s probably not fair to an author to start a book in the week leading up to Christmas, especially when you’re in the middle of moving house. That may explain why Lisa Jewell’s novel, Before I Met You, took me a few days to get into. Once I had a stretch of a few good reading hours, however, I became absorbed.
Before I Met You begins with the story of Betty who, as a child, goes with her mother and step-father to the Channel Island of Guernsey to live with her ageing step-grandmother, Arlette. Arlette lives as a near recluse, occupying a suite of rooms in a crumbling old house perched on a cliff facing the sea. Although she appears to dislike almost everyone, she takes a shine to Betty. She introduces her step-granddaughter to “glamour” and fashion, even though, by all accounts, she has never left Guernsey.
Reaching adulthood in the 1990s, Betty has grown fond of Arlette, even though the old woman is increasingly frail and suffers from dementia. After taking it upon herself to stay on the island to look after Arlette until her death, Betty is rewarded with a small legacy and a mystery: she must look for a girl by the name of “Miss Clara Pickle”, to whom Arlette has left part of her fortune. If Clara cannot be found within a year, the inheritance will be Betty’s. Her last known address is in London’s infamous red light district, Soho.
Eager for adventure and wanting to solve the mystery of the bequest, Betty travels to London and settles in Soho, using almost all of her legacy to rent a tiny studio. Before she can look into the mystery, she must first find a job, and this proves difficult. Eventually, she progresses from flipping burgers at Wendy’s to being the nanny for an estranged celebrity couple. In her spare time, she befriends a DJ who helps her follow clues Arlette has left as to Clara Pickle’s identity. Along the way, Betty discovers that her grandmother, far from being a recluse – albeit with a taste for finery and red satin shoes – once led a totally different life, one of excitement, fashion and glamour.
Running parallel to Betty’s story is the story of Arlette’s youth which is dramatised in interleaving flashbacks. Having come of age in the years following World War One, Arlette, a great beauty, travels from Guernsey to London to live with the family of an old friend of her mother. There, at the beginning of the jazz age of the 1920s, she meets Gideon Worsley, a Bohemian artist from a well-to-do family who insists on painting her portrait. Gideon introduces her to one of the great jazz musicians of the age, a black clarinet player from the Caribbean, whose stage name is “Sandy Beach”. Alongside Gideon and “Sandy”, Arlette – a shop girl, by day – frequents the fashionable night clubs of the era, mingling with the famous people who make up the fashionable pre-Bloomsbury set.
As the novel progresses, the two narrative threads converge and the mystery surrounding Arlette’s will is explained. In a dual climax, Betty and Arlette, their lives separated by a gap of seventy-five years, individually face difficult choices which will set the course for their futures.
Before I met You gives us a glimpse of post-World War One London when women were experiencing new freedoms, both in terms of economic opportunity and of social mobility; it also conveys the constraints facing women of that time. The lasting impression of the story for me, however, is one of sadness, with the realisation of how quickly and easily the lives of one generation may be forgotten by subsequent generations. It makes me wish my father’s mother, a contemporary of Arlette, had recorded her life story. It would fill in so many gaps.
Author: Lisa Jewell
Title: Before I Met You
Publisher: Century, Random House Group
I borrowed a copy from the library.
Posted by Lizzy/Elizabeth on January 23, 2015
Guess what I found on Goodreads over the weekend? My cover for Snowy River Man.
It won’t be available until February 22nd, but if you’re a member of Goodreads you can add it to your “Want to read” shelf.
If you’re a book blogger and would like to request a review copy, please let me know.
Meanwhile, if you want to check out what romance novels were reviewed for 2014 Australian Women Writers Challenge, you can read my wrap-up here.
Posted by Lizzy/Elizabeth on January 6, 2015
The Australian author, Ethel Florence Lindesay Richardson – better known by her pen-name, Henry Handel Richardson – was born on this day, 3 January, in 1870.
In 1988 the Australian Dictionary of Biography published a piece on Richardson’s life by Dorothy Green, a version of which is now available online here. The piece is strangely dated in both language and values, with its references (emphasis?) on the achievements of the men in Richardson’s life and the defensive (dismissive?) references to speculation of ‘deviance’ in Richardson’s relationships with women. It does, however, mention the key events of her life, including her expatriate stays in Germany and England, her novels and her interest in music, so it still works as an introduction to the novelist.
Richardson died in 1945 and her novels, now out of copyright, have been made available free online as part of Project Gutenberg Australia.
- The Fortunes of Richard Mahony (trilogy)
- Two Hanged Women
- The End of Childhood (Complete stories)
- Maurice Guest and
- The Getting of Wisdom
Some have also been recorded and are available as Mp3s through Librivox.
Ethel would be 145 if she were still alive today.
Posted by Lizzy/Elizabeth on January 3, 2015
Reblogged from the new Australian Women Writers website.
In 2014, the Australian Women Writers challenge attracted 1578 reviews of books by Australian women (and there may be more to come). That’s a fantastic achievement and I want to thank you all – readers, bloggers, writers and the AWW team volunteers.
As you probably know, the AWW challenge was established at the end of 2011 in response to discussions about gender bias in the reviewing of books by women. (If you’re new to the challenge, you can read more here.) Although I ran the challenge for the first year, it has always been a team effort, with the real work being done by the many book bloggers – mostly women and a few men – who for the past three years have been reading and reviewing books by Australian women. We have posted our reviews on blogs, Goodreads and other platforms; chatted about them on Twitter and Facebook; talked about the challenge at festivals; seen it mentioned on writers’ centre websites and in mainstream media; and we’ve encouraged others to join us – both as participants and as volunteers to help run the challenge websites. Behind the scenes, the AWW team has been posting regular round-ups of the reviews linked to the challenge, updating the database with images of book covers, and checking links entered in the “Link Your Review” form.
In my case, as well as contributing to the above tasks, I’ve tried to read posts by challenge participants, responding sometimes with a “like”, sometimes with a comment. Via Twitter, I’ve broadcast reviews of participants who tweet including “@auswomenwriters” or the challenge hashtag, and I’ve kept an eye on the AWW Facebook page. As much work as this involves, I know there are many reviews I haven’t read or responded to, and I feel I’ve done comparatively little to show challenge participants how much their efforts are appreciated. At least one person I know, an early member of the challenge, didn’t sign up this year after noticing their “likes” and “comments” on their reviews on Goodreads had dropped off.
This signals to me the importance of continuing to invite others to help build a community of readers, and show participants just how much their reviews are contributing to something bigger. This year saw the #readwomen2014 campaign on Twitter, a global movement with similar aims to the AWW challenge. It was a great success, but ongoing work is still needed. Both VIDA and the Stella Award published counts of reviews in literary journals during 2013. The counts demonstrate that the number of reviews of books by women continues to lag behind the number of reviews of books by men. We won’t know the count for 2014 until next year – and hopefully there’ll be an improvement. But whatever it is, we can be confident that we’re doing our bit to help raise the profile of this important issue.
Why is it important?
Let’s not even go down the track of discussing the gender pay gap, statistics on violence towards women, the decreasing number of female CEOs and parliamentary ministers, or how the lack of acknowledgement of women’s achievements generally may help to perpetuate entrenched injustices. Let’s focus on the writers. The AustLit account on Twitter recently noted that its database has entries for 38 500 individual Australian women writers. (There are probably more, but some women aren’t identified as they published using initials.) But how many of those have you heard of? How many have you read? This morning, I was trawling through Librivox and Project Gutenberg Australia for free audio and ebooks of out-of-copyright books by Australian women. Just a quick glance at the lists makes it obvious how few books there are by women in comparison to books by men. If we want the voices of Australian women of the twenty-first century to go down in history, the work starts now, with us. Without records, without evidence books by Australian women are being read and appreciated, historians of the future may think they weren’t good enough to be remembered, when clearly this isn’t true.
The AWW Challenge will continue in 2015, with the aim of continuing to promote and support books by Australian women. Until now, we’ve had two websites, one for the blog and one for the review lists (or three, if you count the AWW Challenge Goodreads page). The new site is a work in progress, but it will have a searchable database, making it easier for readers to find participants’ reviews. My hope is readers – librarians, teachers, bloggers, writers and researchers – will follow the links and show appreciation by “liking” or commenting on the reviews of the books they discover. This will help consolidate and grow the AWW reading community. I’d also encourage people to subscribe to the AWW blog via email (see side bar) and discuss their reading on social media using the challenge hashtag: #aww2015. If you have any other ideas how we can raise the profile of Australian women writers, or if you’d like to volunteer to help behind the scenes or contribute to the AWW blog, please let me know.
So, who’s in for 2015? You can sign up here.
Posted by Lizzy/Elizabeth on January 2, 2015
I’m continuing my binge of books by authors recommended by members of my Facebook group for fans of Nicci French. The group’s readers are an eclectic lot – the recommended authors don’t all write psychological suspense.
This week’s new (for me) author is Judith Lennox whose historical fiction saga, The Winter House, was published in 1996. I haven’t read a historical saga for years. I don’t know why. I used to love them.
The story opens with three friends, Robin, Helen and Maia, who, at the end of the First World War and on the verge of adulthood, vow to celebrate the great milestones of their lives: their first jobs, travelling abroad, losing their virginity. Robin is a pacifist from a progressive family whose two brothers fought in the war, one never returning, the other coming home with shell shock. Helen is the only child and dutiful daughter of the widowed local rector, a man who believes himself a cut above the rural labourers and artisans who inhabit the run-down cottages of their marsh-surrounded village. Maia is the beauty of the trio, a girl brought up to expect the finer things in life only to be abandoned by her profligate father in the worst possible way.
Each girl has a dream. Robin dreams of escaping the academic fate her father has planned for her and moving to London to become involved in activist politics, to do something that makes a difference in the world. Helen dreams of having a home and family. Maia wants the security of wealth that she knew as a child, and is prepared to do what it takes to get it.
As the girls become women and pursue their dreams, each has to make choices and compromises, face hardships which test their endurance – and their friendship. The adolescent vow of celebrating milestones isn’t forgotten, but it becomes representative of the naivety – if not always innocence – of their youthful hopes, as well as the differences in their personalities, upbringing and values.
The story covers the period of the aftermath of the First World War, through the twenties and into the Great Depression and the Spanish Civil War, and ends with Europe on the brink of another war. These great events aren’t just a backdrop to the story; they play a significant part in Robin’s and Maia’s lives, while Helen’s eventual questioning of her faith is indicative of a broader wave of secularism that reflects the changing values of this time.
The Winter House is an interesting and engrossing story, easy to read and, in parts, moving. It makes me wonder why I don’t read more historical sagas.
Author: Judith Lennox
Title: The Winter House
Publisher: Severn House
I borrowed a copy from the library
Posted by Lizzy/Elizabeth on December 26, 2014