There are some books I know, if I don’t attempt to review them straightaway, I won’t end up reviewing them at all. It’s because the impact is so powerful, the language so beautiful, I grow afraid I won’t do them justice. Golden Boys by Sonya Hartnett is one of those books.
I picked up this novel not knowing what audience it was written for – the only other book by Hartnett I’ve read is a children’s picture book. But this novel is no more suitable for children than Lord of the Flies. (Though I did read that when I was twelve.)
Golden Boys isn’t nearly as graphic and violent as Lord of the Flies, but its themes – including family violence, grooming, loneliness, isolation and dislocation – are pretty adult. So is the language. It’s rich, poetic, dense. And the pace is slow. Nothing much happens – and yet, everything happens; everything that is painfully ordinary, quotidian, that conveys the angsts and traumas of growing up and learning where one fits in the world.
The protagonists of Golden Boys are a group of kids in a working-class Australian suburb in the not-so-distant past. It is a time before the internet and Facebook, when children were allowed to roam the streets unsupervised, the era of the author’s own childhood, perhaps. It is also an era, seemingly, pre-multiculturalism and pre-contraception. Several of the children, Declan, Freya and Syd, belong to one household, a working class home with a drunken father, a harried mother, and too many younger siblings. Hartnett is precise in her description of the chaos that is the Kileys’ family life, with “the mess which finds its way through the house like the ratty hem of a juvenile junkyard”. When working-class Syd Kiley meets the neighbourhood newcomer and private-school educated Bastian Jensen, Hartnett deftly conveys their differences:
Syd and Bastian look at each other, and it’s like a Jack Russell being introduced to a budgerigar: in theory they could be friends, but in practice sooner or later there will be bright feathers on the floor.
But the conflict between the two families, the Kileys and the Jensens, isn’t due to class. The Jensens have moved into the neighbourhood to escape something, as Bastian’s older brother Colt becomes dimly aware. That “something”, barely acknowledged but frightening, provides one of the core tensions of the novel, and has to do with Colt’s father, Rex, a dentist. Rex has filled their new home with toys, bikes, skateboards, racing tracks; and their backyard will soon have a pool that all the neighbourhood children are invited to use. As Colt reflects:
His father spends money not merely on making his sons envied but in making them – and the world seems to tip the floor – enticing. His father buys bait.
It is how Colt responds to this growing awareness that leads to the climax and denouement on the novel. The ending is dramatic, though not externally earth-shattering, and conveys a sense of truth about the complexity of family loyalties and the burden of carried shame.
I was wondering, as I read the novel, whether it might be useful for HSC English teachers teaching the new “discovery” module. It deals with the theme of discovery in a number of ways: a new neighbourhood, how different classes live, as well as the discovery of growing up and taking responsibility. It’s also packed with language forms and features which students could explore. I read an ebook copy and kept interrupting my reading to highlight Hartnett’s skillful use of rhetorical devices, similes and metaphors. (A whole post could be devoted to such an analysis.)
Apart from its promise as an educational text, it is a worthwhile and moving book to read.
Author: Sonya Hartnett
Title: Golden Boys
Date: August 2014
Review copy kindly supplied to me by the publishers via Netgalley.