The Vanishing Point: Val McDermid

imageThe Wire in the Blood series is one of my all-time favourite TV crime shows. I love forensic psychologist Tony Wood’s tetchy relationship with detective Carol Jordan. I’ve read and enjoyed a few of the books in the series, as well as other novels written by the well-known Scottish crime writer, Val McDermid, so I was expecting a similar thrilling read from her stand-alone novel, The Vanishing Point.

But… The Vanishing Point didn’t quite do it for me.

With the words “It’s every parents worst nightmare…” emblazoned on the cover, there is no surprise that this is an abduction story – though it has a characteristic McDermid twist. The opening is as thrilling as it is horrifying. A woman, Stephanie, used to be the ghost writer for Scarlett, a now-deceased reality TV celebrity, and godmother and newly-appointed guardian of Scarlett’s five-year-old son, Jimmy. Stephanie has just arrived in the US with Jimmy, about to start a vacation, when the boy is taken in broad daylight from the airport while Stephanie is being checked through security.

In her effort to run after Jimmy and his abductor, Stephanie attracts the attention of airport security, thus providing the reason for her to be kept in custody for hours telling her story to Vivian, a helpful FBI agent. Stephanie discloses how she came to be the child’s guardian, what happened to the boy’s celebrity parents, and details of her own terrifying experiences with an abusive and controlling ex-boyfriend. Throughout her tale, the reader is invited first to suspect one character and then another of abducting the boy. The ex-boyfriend, the resentful cousin – even possibly Scarlett’s agent – all fall under suspicion.

As a narrative device for telling the story, the FBI interview technique is okay, though it does stretch credulity and I guessed the “mystery” element pretty early on. Guessing a mystery for me is not uncommon, but normally, when that happens, there’s something else that keeps me drawn into the story, concern for the characters’ fate perhaps, or an interest in the world the characters inhabit. In the case of The Vanishing Point, neither of those things happened.

For me, the celebrity world of reality TV, even set against a backdrop of News of the World-type phone tappings and the UK music scene, just isn’t compelling. More importantly, I never quite believed in the friendship between Scarlett and Stephanie – a crucial element in the story – which I’m tempted to put down to a lack of depth in characterisation. I finished the book, could even admire elements of the ending, but didn’t have that “Aha!” satisfied feeling of a really good thriller.

It wasn’t a bad story; but nor was it one I’ll be racing off to recommend to my Facebook book group. For what it’s worth, I’d say time would be better spent downloading and watching the series Happy Valley, starring Sarah Lancashire, which just finished playing on ABC TV. Now that was compelling and thrilling crime drama. I was sorry to see it end.

~

Author: Val McDermid
Title: The Vanishing Point
Publisher: Little Brown
Year: 2012

I borrowed a copy from the library.

Cop Town by Karin Slaughter

Cop Town Karin SlaughterSince her first novel, Blindsighted, made the CWA’s Dagger Award shortlist for “Best Thriller Debut” of 2001, US author Karin Slaughter has sold more than 30 million copies of her books and been published in 32 languages. Most of her novels are detective thrillers, set in present day Georgia. Her latest release, Cop Town, is a departure, a crossover between detective and general fiction.

Set in Atlanta, Georgia, in 1974, Cop Town portrays a hell-hole of bigotry, racism, misogyny, homophobia, religious sectarianism and class suspicion. The story follows a rookie police officer as she starts her career in a newly gender-conscious department. From a privileged background, newly widowed Kate Murphy is partnered with working class Maggie Lawson, the first female police officer from a cop family. Class isn’t the only barrier which divides these woman as they set about trying to find the culprit of a recent spate of cop killing. Each has to work hard to earn her place in the male-dominated force, and there’s little female solidarity shown – at least, initially.

Throughout the novel, Slaughter challenges stereotypes of women as “naturally” collaborative and supportive, peacemakers and homemakers. Rather, she shows her female characters actively resisting the expectations of such roles, their struggles typical of the era before “women’s lib” took hold.

Australian crime authors P M Newton and Angela Savage have discussed how violence against women is used as entertainment in much recent crime fiction. For this reason, I found Slaughter’s portrayal of women not just as victims of violence, but also as perpetrators, particularly interesting – and problematic. In our current age of the “war against terror” and extraordinary renditions, Slaughter’s seemingly unselfconscious reversal of gender stereotypes runs the risk of reinforcing yet another female stereotype, that of the ball-breaker.

The portrayal of women isn’t the only problematic element of the book. For me, the serial cop killer motif lacks sufficient motivation to be really convincing, although the ending is thrilling and rewards the reader’s persistence.

The strength of the novel lies in its sociological portrayal of a white, male power structure on the wane. As Maggie Lawson says to her abusive cop uncle Terry:

I think the whole world is gonna change. For me. For Kate. For the blacks. For the browns, yellows, greens. For you. Especially for you.

In this light, Cop Town gives an insight into the beginnings of a revolution in cultural values that is still being played out today.

Karin Slaughter will be touring Australia in August (details here).

~

An ebook copy of Cop Town was kindly provided to me by the publishers through Netgalley.

Title: Cop Town
Author: Karin Slaughter
ISBN: 9781473507913
Published: 19 June 2014
Publisher: Random House Australia

ISBN: 978147350791

ISBN: 9781473507913
Published: 19/06/2014
Imprint: Cornerstone Digital

– See more at: http://www.randomhouse.com.au/books/karin-slaughter/cop-town-9781473507913.aspx#sthash.DaYsqYLu.dpuf

ISBN: 9781473507913
Published: 19/06/2014
Imprint: Cornerstone Digital

– See more at: http://www.randomhouse.com.au/books/karin-slaughter/cop-town-9781473507913.aspx#sthash.DaYsqYLu.dpuf

ISBN: 9781473507913
Published: 19/06/2014
Imprint: Cornerstone Digital

– See more at: http://www.randomhouse.com.au/books/karin-slaughter/cop-town-9781473507913.aspx#sthash.DaYsqYLu.dpuf

Skinjob by Bruce McCabe, sex dolls and gender issues

Bruce McCabe SkinjobThe Good: gender issues
The Bad: gender issues
The Ugly: gender issues (and I foresaw the twist at the end)

Setting: US in the near future

Recommended for: thriller and suspense fans,
people interested in human factors in technology
innovation and adoption

When I heard Bruce McCabe speak at the National Book Bloggers Forum about his debut novel, Skinjob, I was hooked. Not by the title. If I’d seen that title on the library shelves, I wouldn’t have picked it up without gloves. When I first saw it, it reminded me of “hand-job”. It still reminds me of hand-job, even though I’ve read the book and there’s nothing titillating in it. Exciting, yes. Adventurous, yes. It has all the elements Robert McKee writes about in Story: a ticking clock, a vulnerable hero, powerful antagonists, and an interesting (pretty “high”) concept.

The concept: what could happen when robotics advance to the extent that the “world’s oldest profession” can be performed by robots, “Skinjobs”? What if the powerful forces of the pornography/sex trade industry and the neo-conservative Christian right waged an epic battle to sway the hearts and minds of the American people? What if a lie-detecting FBI agent and a San Francisco PD (female) surveillance officer teamed up in a race against time to prevent the annihilation of thousands of innocent people?

Juicy stuff, right? It is. And McCabe does it well. Well enough to have gone from being a self-published author hand-selling to Berkelouw Books in Dee Why to attracting the attention of J K Rowling’s agent and scoring a contract with Random House.

What really interests me about the book, though, is its take on gender issues.

Some background.

At the book bloggers’ forum, I asked Bruce McCabe whether he read books by Australian women. No, he is more of a Michael Crichton, Frederick Forsyth and Stephen King guy. (All of whose books I have devoured.) Also Lee Childs. He did say that author Kathryn Fox had been very helpful to him though (she appears in the acknowledgements) and added, “I must read her books”.

It was with amusement and some consternation, therefore, that I came across a cameo appearance of a “Kathryn Fox” in McCabe’s novel.

The title of the novel, Skinjob, refers to an advanced form of sex doll. These life-like dolls have warm “skin”, a “heartbeat”, and can move in a “come hither” fashion. They can’t speak, but can make moaning and groaning noises. They don’t act other than to flirt or serve. They can also simulate realistic fear to threats and acts of violence (up to the point of actual physical harm). “Kathryn Fox” appears in the book as one of the manufacturer Dreamcom’s most successful dolls.

What is McCabe trying to say here?

One thing McCabe talked about at the forum was how there is no good and bad in human beings; we all have elements of both. The main character, Daniel Masden, isn’t perfect. Nor is the female  SFPD operative, Shahida Sanayei (Shari), whom Masden partners up with. Shari, in fact (spoiler alert) solves the enigma that is central to the plot and, therefore, effectively saves the day.

All good. But what if Skinjob became a movie – as it certainly could; it’s very filmic, action-packed and fast-paced, has lots of interesting “locations”, high-tech gadgetry and car chases – would it pass the Bechdel Test? That is, does it have “at least two women who talk to each other about something other than a man”?

It wouldn’t. That’s right. A story in which gender issues are crucial, all bar one of the main character roles are male. Shari is introduced in the context of having lost her male lover in a bomb-blast at a skinjob “brothel” – or pleasure house – run by Dreamcom. Her role in the story is to help Masden track down those responsible for the blast; all the suspects are male. The SFPD major figures and FBI personnel are male; the Dreamcom owners and employees are male; the leaders of the right-wing church suspected of being behind the blast are male. The majority of the “females” who would appear in the movie would be robots. (Imagine doing that screen test.)

Remember Skinjob is set in the future. Even if one asserted that the industries depicted in the story are currently male dominated, there is plenty of scope in a future world for more than one woman to be depicted as having agency and moral complexity. Why not a female pastor? A female pleasure parlour owner? Sure, the men in these roles in Skinjob don’t come off well and are often revealed to be self-serving hypocrites, sex-addicts and narcissists. That shouldn’t be a restriction. As McCabe was at pains to point out, human beings are complex moral creatures; that includes women.

In Skinjob McCabe sets out to address some really interesting questions about gender, sex and power, the most interesting of which, for me, is the ethics of using automatons for sexual relief. But, while writing about it for entertainment, he risks reinscribing the very kind of objectification and invisibility of women which, arguably, the sex industry and fundamentalist churches of all kinds have historically been guilty of.

My conclusion?  It’s still a page-turning read.

~

This review forms part of my contribution to the Aussie Author’s Challenge 2014

Review copy courtesy of the publishers at the National Book Bloggers Forum.
ISBN: 9780593074091
Published: 02/06/2014
Imprint: Bantam Press
Extent: 416 pages

 

ISBN: 9780593074091
Published: 02/06/2014
Imprint: Bantam Press
Extent: 416 pages

– See more at: http://www.randomhouse.com.au/books/bruce-mccabe/skinjob-9780593074091.aspx#sthash.KrlSSYff.dpuf