A Thousand Lies by Laura Wilson

The judge said (I will never forget this), ‘In many ways your life has been a form of punishment.’ Sometimes I wonder what he would have said if I had told the truth.

imageSo Sheila Shand, a woman convicted of the manslaughter of her father, wrote in her journal in 1988, hinting at one of the many lies which Laura Wilson’s crime novel, A Thousand Lies, goes on to uncover and explain.

Sheila’s journals, and the sections from her point of view, are an important element of the novel, but the main story centres around her great-niece, Amy Vaughan. Amy is a journalist whose estranged mother has just died and left her another journal, one belonging to Sheila’s sister Mo, revealing a branch of the family she’d not known existed.

Throughout the novel, Amy struggles to deal with the complicated grief of losing a mother who blamed her for her father’s desertion, a ne’er-do-well father who returns in time to take advantage of her meagre inheritance and possibly endanger her life, and a neighbour who has the potential to become a future lover. At the same time she becomes increasingly caught up in the mystery surrounding the whereabouts of her great-aunt Mo, and the trauma that has kept Sheila and her ailing mother Iris silent for many years.

A Thousand Lies was first published in 2006 and was shortlisted for the inaugural Duncan Lawrie Dagger award. I discovered the author, Laura Wilson, via a Twitter suggestion after I’d followed Julia Crouch whose book Tarnished I reviewed last week.

I can’t say I was as riveted by A Thousand Lies as I was by Tarnished, but I am fascinated with its subject matter – domestic violence and its long-term psychological effects on women, particularly the ‘learned helplessness’ that keeps women trapped in a vicious cycle. Wilson deals with the subject with sympathy, subtlety and insight, and the plot intrigues the reader enough to keep the pages turning.

One shortcoming, for me, was to do with the novel’s structure: the most dramatic events occurred in the distant past, which the journal device and flashbacks bring to life. The effect of this ‘once-remove’ is an emotional distancing. For many crime readers, this distancing might be a good thing, as the events described are horrific. Readers of psychological suspense, however, might find the storyline lacks a desired sense of immediacy and engagement.

As events of the past begin to bleed into the present, however, the novel heads for a thrilling climax. A Thousand Lies is the first I’ve read by this novelist, but it won’t be the last. It is an engaging read.

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Author: Laura Wilson
Title: A Thousand Lies
Publisher: Orion
Date: 2006

I borrowed a copy from the library.

What Came Before by Anna George

‘My name is David James Forrester. I’m a solicitor. Tonight, at 6.10, I killed my wife. This is my statement.’

What Came Before Anna GeorgeThis is the dramatic opening of What Came Before, the brilliant psychological thriller debut by Melbourne writer Anna George. The rest of the novel reveals how the murder came to happen.

We see Forrester’s wife, Elle, before her death. She’s working in the film industry, having left a career in law. With one successful film behind her, she is busy directing another. This latest is about “limerance”, the early stages of romantic love.

Elle encounters Forrester, a high-powered lawyer she remembers from her legal days. She is immediately attracted. By what? His looks, the interest in art they share. Certainly not his sociability, as he proves indifferent to her friends. As they begin their relationship, she experiences an almost delusional infatuation – the “limerance” of her film’s title – which leads her to ignore warning signs that the relationship isn’t healthy.

Unknown to Elle, Forrester’s marriage has disintegrated, leaving him angry at his ex and missing his young step-daughter. He’s also a frustrated artist, a control freak and a very unhappy man.

Throughout the narrative, point of view switches from Forrester, as he dictates his “witness statement” and consults a retired QC for legal counsel, to Elle, as she lies in death – or the imagined transition that follows death. This dual narration, swapping tenses between past and present, makes for compelling reading as we are led inexorably to the inciting incident, Elle’s death.

One question often asked about women in abusive relationships is, “Why did they stay?” What Came Before answers this question. “Limerance” makes us idolise our partners, letting us see only what we want to see; tells us to forgive their failings, to look only at their good qualities; blinds us to the escalating “cycle of violence”. The longer we stay, the more we believe they are essentially “good”, that their character defects are a result of damage done in childhood, that we are connected to them in some essential way, the more dangerous the relationship becomes.

Anna George has drawn on her own experience* of “emotional abuse” to create the relationship between Forrester and Elle, and her experience shows. For me, though not for all reviewers, she manages to make Elle sympathetic, despite her irrational choices. George also conveys what it’s like to be the man who resorts to violence, his self-justifications, his belief that he was provoked. If I had one criticism of the characterisation of What Came Before, it’s of the moment when Forrester makes a transition from “emotional abuser” to “physical abuser”. For me, the transition appeared too abrupt. Thinking about his behaviour in terms of “narcissistic rage”, however, I can make more sense of it. Far from being egoistic, Narcissists lack the internal resilience that would allow a healthier psyche to take criticism, perceived rejection or opposition. In this light, George gets the psychology for Forrester right; the result is believable and frightening.

The publishers have described this novel as “literary”, and in the vein of Gillian Flynn’s Gone Girl. What Came Before is clever, like Flynn’s novel, but the cleverness isn’t at the expense of its emotional truth. The characters come across as real, their motivations consistent, their delusions understandable. Does this make it “literary”? It’s a well-written psychological thriller which deserves to become a best-seller.

Anna George has been added to my already impressive list of “must read” Australian female crime and suspense authors. I can’t wait for her next book.

* Anna George mentioned this in an interview with Carol at Reading, Writing and Riesling blog, here.

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This review forms part of my contribution to the Australian Women Writers Challenge and Aussie Author Challenge. A review copy was kindly supplied to me by the publishers via Netgalley. What Came Before has already been reviewed for the AWW challenge by:

Author: Anna George
Title: What Came Before
Published:25/06/2014
ISBN-13:9780670077731
ISBN-10:0670077739
Publisher:Penguin Aus
Imprint:Viking

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