Forsyth isn’t a new author for me – year ago, I read and enjoyed the Witches of Eileanan, a series aimed at young adults – but Bitter Greens is the first adult novel of hers I’ve read. The novel ranges over two centuries, combines history and fairytale, and creates portraits of three different women: a real historical character, novelist Charlotte-Rose de Caumont de la Force, the girl fabled as “Rapunzel”, and her imagined captor and “witch”, the Venetian courtesan “Selena Leonelli”. It’s more ambitious than any of Forsyth’s Fantasy series, especially in its self-reflexive quality. Central to the tale are themes concerning the art of narrative, and the genesis and profession of story-telling. This ambitious structure is both a strength and a weakness.
While less than a third the way in I was spell-bound, the beginning of the novel didn’t quite sweep me away as I’d hoped. After a page introducing the chief story-teller, Charlotte-Rose, as a child, the narrative jumps to show her as a grown woman. This rapid shift didn’t allow me to get to know Charlotte-Rose, to care about her and know what she wants out of life. I felt little sense of the tragic irony I guessed Forsyth was trying to create, the sense that here is a great character destined to fall. As the book progressed, however, I enjoyed Charlotte-Rose more and more. Forsyth portrays her as a headstrong, sexually active woman, with enough self-interest, stubbornness and resourcefulness to pursue her career in defiance of the mores and life-threatening risks of her time.
I felt more immediate empathy for the other point of view characters, Leonella – the witch – and Margherita – the Rapunzel figure. In these threads of the narrative, Forsyth demonstrates her skill as a Fantasy writer, with the storytelling every bit as enchanting as fairytales of old.
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North Sydney, Vintage Australia (Random House) 2012
Borrowed from Avalon Community Library