Reblogged: Thank you for 2014! What’s new for 2015

AWW 2015 badge

AWW 2015 badge

Reblogged from the new Australian Women Writers website.

In 2014, the Australian Women Writers challenge attracted 1578 reviews of books by Australian women (and there may be more to come). That’s a fantastic achievement and I want to thank you all – readers, bloggers, writers and the AWW team volunteers.

As you probably know, the AWW challenge was established at the end of 2011 in response to discussions about gender bias in the reviewing of books by women. (If you’re new to the challenge, you can read more here.) Although I ran the challenge for the first year, it has always been a team effort, with the real work being done by the many book bloggers – mostly women and a few men – who for the past three years have been reading and reviewing books by Australian women. We have posted our reviews on blogs, Goodreads and other platforms; chatted about them on Twitter and Facebook; talked about the challenge at festivals; seen it mentioned on writers’ centre websites and in mainstream media; and we’ve encouraged others to join us – both as participants and as volunteers to help run the challenge websites. Behind the scenes, the AWW team has been posting regular round-ups of the reviews linked to the challenge, updating the database with images of book covers, and checking links entered in the “Link Your Review” form.

In my case, as well as contributing to the above tasks, I’ve tried to read posts by challenge participants, responding sometimes with a “like”, sometimes with a comment. Via Twitter, I’ve broadcast reviews of participants who tweet including “@auswomenwriters” or the challenge hashtag, and I’ve kept an eye on the AWW Facebook page. As much work as this involves, I know there are many reviews I haven’t read or responded to, and I feel I’ve done comparatively little to show challenge participants how much their efforts are appreciated. At least one person I know, an early member of the challenge, didn’t sign up this year after noticing their “likes” and “comments” on their reviews on Goodreads had dropped off.

This signals to me the importance of continuing to invite others to help build a community of readers, and show participants just how much their reviews are contributing to something bigger. This year saw the #readwomen2014 campaign on Twitter, a global movement with similar aims to the AWW challenge. It was a great success, but ongoing work is still needed. Both VIDA and the Stella Award published counts of reviews in literary journals during 2013. The counts demonstrate that the number of reviews of books by women continues to lag behind the number of reviews of books by men. We won’t know the count for 2014 until next year – and hopefully there’ll be an improvement. But whatever it is, we can be confident that we’re doing our bit to help raise the profile of this important issue.

Why is it important?

Let’s not even go down the track of discussing the gender pay gap, statistics on violence towards women, the decreasing number of female CEOs and parliamentary ministers, or how the lack of acknowledgement of women’s achievements generally may help to perpetuate entrenched injustices. Let’s focus on the writers. The AustLit account on Twitter recently noted that its database has entries for 38 500 individual Australian women writers. (There are probably more, but some women aren’t identified as they published using initials.) But how many of those have you heard of? How many have you read? This morning, I was trawling through Librivox and Project Gutenberg Australia for free audio and ebooks of out-of-copyright books by Australian women. Just a quick glance at the lists makes it obvious how few books there are by women in comparison to books by men. If we want the voices of Australian women of the twenty-first century to go down in history, the work starts now, with us. Without records, without evidence books by Australian women are being read and appreciated, historians of the future may think they weren’t good enough to be remembered, when clearly this isn’t true.

The AWW Challenge will continue in 2015, with the aim of continuing to promote and support books by Australian women. Until now, we’ve had two websites, one for the blog and one for the review lists (or three, if you count the AWW Challenge Goodreads page). The new site is a work in progress, but it will have a searchable database, making it easier for readers to find participants’ reviews. My hope is readers – librarians, teachers, bloggers, writers and researchers – will follow the links and show appreciation by “liking” or commenting on the reviews of the books they discover. This will help consolidate and grow the AWW reading community. I’d also encourage people to subscribe to the AWW blog via email (see side bar) and discuss their reading on social media using the challenge hashtag: #aww2015. If you have any other ideas how we can raise the profile of Australian women writers, or if you’d like to volunteer to help behind the scenes or contribute to the AWW blog, please let me know.

So, who’s in for 2015? You can sign up here.

Australian Women Writers Challenge 2014 Wrap Up: My year of narrow reading

awwbadge_2014They say the best predictor of future behaviour is past behaviour.

For a long time I’ve wanted to write psychological suspense. While pursuing my goal, I’ve read lots of novels in the genre, with the hope of learning how to create the same magic. Whether it’s called psychological suspense, thriller, or “domestic noir”, the stories are often about a woman in jeopardy, or women who are victimised who fight back. Sometimes they’re about men or women who are stretched to the limits of their endurance – even, at times, of their sanity. They are stories I can relate to.

It shouldn’t be any surprise, therefore, that when I look back over the novels I’ve read and reviewed this year for the Australian Women Writers Challenge, I find most of the stories fit that category. I confess, though, I’m shocked at how narrow my reading has been.

1. Robyn Bowles, Rough Justice. (true crime)

2. Candice Fox, Hades. (detective/thriller)

3. Honey Brown, Through the Cracks. (suspense)

4. Dawn Barker, Let Her Go. (suspense)

5. Wendy James, The Lost Girls. (suspense)

6. Julie Proudfoot, The Neighbour. (suspense)

7. Anna George, What Came Before. (suspense)

8. Jaye Ford, Already Dead. (suspense)

9. Caroline Overington, Can You Keep A Secret. (suspense)

10. Gillian Mears, Foal’s Bread. (literary/historical fiction)

11. Kate Belle, Being Jade. (women’s fiction)

12. Johanna Fawkes, Public Relations Ethics and Professionalism: the shadow of excellence. (nonfiction)

P M Newton’s excellent crime novel Beams Falling, is another one I read; it’s the sequel to her award-winning debut, The Old School. Instead of writing a review, however, I posted a Q & A with Newton on the AWW blog here.

I didn’t set out to be so narrow in my reading this year; it just happened that those were the books that appealed to me. When I look at my “to be read” pile of books by Australian women, there’s a great variety of genre, from literary fiction to memoir to historical fiction as well as nonfiction. The books in this photograph are only a fraction of the pile.

 

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What will I review for the AWW Challenge in 2015? I’m not sure. Recently, I’ve been borrowing books from the library and reading just for fun, and not all of them have been shelved in the crime/suspense/thriller section. Maybe I’ll start branching out again? (Otherwise, I should really change the name of my blog.)

By the way, for those of you who haven’t heard, my debut novel – a romance with suspense elements, Snowy River Man – will be published by Escape Publishing on 22 February 2015, under my pen-name, Lizzy Chandler. If you’d like a review copy, please let me know. I’d be thrilled if it could be reviewed as part of the AWW challenge for 2015.

Are you planning to join?

Public Relations Ethics and Professionalism: The shadow of excellence by Johanna Fawkes

This book builds on a lifetime of reading, writing, thinking, dreaming, failing, starting again, denying, confronting, shifting and teaching.

Public Relations Ethics FawkesIf anyone had told me at the beginning of the year that I’d end up reading for pleasure – make that, devouring – a Jungian book on public relations, I’d have said they were dreaming. That was before I met Blue Mountains resident, writer and academic, Johanna Fawkes.

In her book Public Relations Ethics and Professionalism: The shadow of excellence, Fawkes writes much how she speaks, with intelligence, intuition and poetic flair. As the opening lines quoted above suggest, she is no stranger to nuances of language. She revels in them. It’s a feature of her writing that betrays the fact that she is not only a Senior Lecturer in Public Relations at Charles Sturt University, she is also a prize-winning writer, having completed a Masters in Creative Writing at Lancaster University and won numerous awards for her short fiction.

But public relations? How can a book on public relations be made readable for a lay audience and still provide enough intellectual rigour to be useful as a text book? With enviable skill Fawkes manages to do both. I read the book from cover to cover in a little over a day and was fascinated. Admittedly, I’m a bit of a closet Jung fan. The idea of exploring questions regarding ethics and public relations by teasing out the “shadow” side of the profession appeals to me – if public relations can indeed be regarded as a “profession”, when much of it, from a lay point of view, appears to deal with the art of persuasion in service of a client, at the limit of which is propaganda.

Fawkes’ discussion weaves in and out of these thorny issues in a way that surprised and stimulated me. I found myself thinking back to a unit I studied when doing a Graduate Diploma of Counselling, and the debates that were raging at the time between Counselling and Psychology – the “territory” wars between the two disciplines, and the tensions between which practices might be considered an “art” and which a “science”, and the attendant professional – and remunerative – ramifications. Fawkes’ book invites such pondering, making it relevant to professions generally, not just public relations. Public relations, in some sense, is the case study for the broader ideas she wishes to bring to our attention.

An aspect of the book I especially enjoyed was the way Fawkes introduces her own experience – including her own personal challenges – into the discussion. It’s a technique consistent with the postmodern breadth of her vision, and one I find particularly engaging.

While reading Chapter 7, “Towards a Jungian Ethic”, I began applying some of the ideas to myself personally. What shadow parts of myself do I reject and why? How might engaging those parts be transformative? By doing so, might I be freer to solve problems and limitations confronting me? Engaging further with these ideas since finishing the book has become an exciting journey, promising to open up all sorts of possibilities. All from a book on PR. That’s quite an achievement!

Public Relations Ethics and Professionalism: The shadow of excellence will be launched at the St James Ethics Centre in December. Unfortunately, it isn’t the kind of book you’re likely to stumble across down at your favourite bookshop. It costs too much for that. But you can order it from your academic library. It deserves the widest audience it can get.

~

Author: Johanna Fawkes
Title: Public Relations Ethics and Professionalism: The Shadow of excellence
ISBN: 9780415630382
Publisher: Routledge Taylor & Francis Ltd, United Kingdom
Date: June 2014

This review form part of my Australian Women Writers challenge for 2014.
My thanks to the author for the loan of a review copy.